LUMY — les prompts.

L'identité LUMY.

Create a premium vertical brand identity and product showcase sheet for LUMY, a luxury terracotta skincare brand: a large elegant serif LUMY wordmark on a terracotta panel with "RADIANCE CREAM" and the tagline "Glow, naturally."; a COLOURS section with five labelled hex swatches (Terracotta #C0674A, Clay #A8563C, Warm Cream #F3E9DE, Soft Sand #E7D4C4, Deep Umber #6E3B2A); a TYPOGRAPHY section (Playfair Display headings, Lato body); a product hero showing the attached LUMY jar; a bottom grid of four warm terracotta lifestyle photographs; and a row of four line-icon brand values: Radiance, Natural, Terracotta, Made with care. Off-white/terracotta background, premium editorial, aspect ratio 3:4.

Create a premium vertical brand identity and product showcase sheet for [BRAND NAME]: a large [FONT] wordmark on a [BRAND COLOUR] panel with "[SUBTITLE]" and the tagline "[TAGLINE]"; a COLOURS section with five labelled hex swatches [COLOUR 1..5]; a TYPOGRAPHY section ([HEADING FONT] + [BODY FONT]); a product hero showing the attached [PRODUCT]; a bottom grid of four [BRAND COLOUR] lifestyle photographs; and a row of four line-icon brand values [VALUE 1..4]. [BACKGROUND] background, premium editorial, aspect ratio 3:4. Attach the product image (and optionally your lifestyle photos) as references.

LUMY — Radiance Cream

A premium skincare product photograph of a SINGLE beauty cream jar for the brand "LUMY": a smooth matte terracotta-toned ceramic jar with a slim matching lid and a minimal off-white label reading "LUMY / RADIANCE CREAM". Warm terracotta, clay and cream palette, soft studio lighting, seamless warm sand background, subtle reflection, three-quarter angle, photorealistic, luxurious minimal skincare campaign.

A premium product photograph of a SINGLE [PRODUCT TYPE] for [BRAND NAME]: a [FINISH] [BRAND COLOUR] [CONTAINER] with a [LID] and a minimal [LABEL COLOUR] label reading "[BRAND NAME] / [SUBTITLE]". [PALETTE] palette, soft studio lighting, seamless [BACKGROUND] background, subtle reflection, three-quarter angle, photorealistic, luxurious minimal campaign.

Voiture terracotta

A high-fashion luxury beauty campaign photograph for LUMY, shot in a warm terracotta seamless studio. A striking model in her late twenties with long glossy jet-black hair lifted softly by a fan, luminous sun-kissed skin, soft bronze editorial makeup, glossy nude-terracotta lips, delicate silver hoop earrings and a fluid white satin slip top, leans elegantly over the mirror-glossy hood of a luxury sports car finished in deep glossy terracotta, one elbow resting on the panel, chin tilted up, gently cradling the small LUMY Radiance Cream jar beside her cheek with a relaxed natural grip. Keep the LUMY jar exactly identical to the uploaded reference — same matte terracotta ceramic body, slim matching lid and off-white 'LUMY / RADIANCE CREAM' label — at true small 50ml real-world scale (about 6-7cm tall), physically photographed during the shoot, never composited, never oversized. Crisp specular reflections and the model's silhouette mirrored across the glossy hood, a partial wheel visible lower-right. Shot on a medium-format 120mm lens at f/8, razor-sharp focus on the model and jar, smooth background falloff. Large diffused overhead softbox with soft frontal fill, luminous skin, gentle shadows beneath the chin. Tone-on-tone terracotta, clay and warm cream colour grade, fine editorial grain. Mood: opulent, confident, sun-warmed luxury. Aspect ratio 4:5.

A high-fashion luxury beauty campaign: a model with [HAIR], [MAKEUP] and [OUTFIT] leans over the glossy hood of a luxury sports car finished in [BRAND COLOUR], gently holding the small [PRODUCT] beside her cheek. Seamless [BRAND COLOUR] studio background, softbox lighting, mirror-like reflections on the hood. Realistic small product scale.

Portrait silk

A high-fashion beauty portrait for LUMY in a warm terracotta seamless studio. A model with sleek centre-parted dark hair pulled back, radiant dewy skin, soft terracotta-bronze makeup and glossy lips, bare shoulders draped in a fluid burnt-terracotta silk wrap, holds the small LUMY jar elegantly beside her cheekbone, gaze soft and direct. Keep the LUMY jar exactly identical to the uploaded reference — same matte terracotta ceramic body, slim matching lid and off-white 'LUMY / RADIANCE CREAM' label — at true small 50ml real-world scale (about 6-7cm tall), physically photographed during the shoot, never composited, never oversized. Shot on an 85mm lens at f/2.2, razor-sharp on the eyes and the label, creamy background. Large soft beauty-dish key light from the upper left with subtle fill, luminous skin, gentle catchlights. Tone-on-tone terracotta and warm cream grade, fine grain. Mood: quietly luxurious, glowing, editorial. Aspect ratio 4:5.

An editorial beauty portrait: a model with [HAIR] holds the small [PRODUCT] beside her face, draped in [BRAND COLOUR] silk, seamless [BRAND COLOUR] studio background, soft glossy editorial lighting, luminous skin.

Marbre & protea

A luxury product still-life for LUMY. The small LUMY jar stands on a polished terracotta-veined marble slab, a fluid champagne-terracotta silk ribbon curling across the foreground and a single dried protea flower resting behind, warm terracotta plaster backdrop. Keep the LUMY jar exactly identical to the uploaded reference — same matte terracotta ceramic body, slim matching lid and off-white 'LUMY / RADIANCE CREAM' label — at true small 50ml real-world scale (about 6-7cm tall), physically photographed during the shoot, never composited, never oversized. Shot on a 100mm macro lens at f/8, crisp on the label and the marble veins, soft background. A single warm directional light from the right casting a long soft shadow, gentle specular sheen on the ceramic. Terracotta, clay and cream palette, fine grain. Mood: refined, tactile, premium. Aspect ratio 4:5.

A luxury product still-life: the small [PRODUCT] on a polished [BRAND COLOUR] marble slab with a flowing silk ribbon and a single dried [FLOWER], warm [BRAND COLOUR] backdrop, dramatic soft directional light.

Le geste

A luxury beauty application close-up for LUMY in a warm terracotta studio. A model with glowing bare-shoulder skin and soft bronze makeup gently sweeps a dab of pale cream along her cheekbone with the fingertips of one hand, while HOLDING the small open LUMY jar up near her collarbone in her OTHER hand — no table, no surface, the jar held in-hand. Keep the LUMY jar exactly identical to the uploaded reference — same matte terracotta ceramic body, slim matching lid and off-white 'LUMY / RADIANCE CREAM' label — at true small 50ml real-world scale (about 6-7cm tall), physically photographed during the shoot, never composited, never oversized. A soft visible cream swatch on the cheek. Shot on an 85mm lens at f/2.5, sharp on the fingertips, the cream and the label. Soft frontal beauty light, luminous dewy skin. Tone-on-tone terracotta grade, fine grain. Mood: intimate, radiant, premium skincare. Aspect ratio 4:5.

A luxury beauty application close-up: a model applies a dab of cream to her cheekbone with one hand while holding the small [PRODUCT] in her other hand (no table, held in-hand), glowing skin, warm [BRAND COLOUR] editorial background.

Velours terracotta

A cinematic editorial photograph for LUMY. A model in a liquid terracotta satin slip dress reclines languidly across a plush rust terracotta velvet chaise longue in a warm panelled terracotta room, one arm draped, cradling the small LUMY jar against the cushion, head resting back, serene expression. Keep the LUMY jar exactly identical to the uploaded reference — same matte terracotta ceramic body, slim matching lid and off-white 'LUMY / RADIANCE CREAM' label — at true small 50ml real-world scale (about 6-7cm tall), physically photographed during the shoot, never composited, never oversized. Shot on a 50mm lens at f/2.8, soft shallow depth, warm window light spilling from the left. Rich terracotta, rust and warm cream grade, subtle film grain. Mood: opulent, languid, old-money luxury. Aspect ratio 4:5.

A model reclining on a plush [BRAND COLOUR] velvet chaise longue, holding the small [PRODUCT], wearing a satin slip dress, warm [BRAND COLOUR] room, cinematic editorial glam.

Crème & argile

A hero product macro for LUMY. The small open LUMY jar sits on a slab of rippled wet terracotta clay, a glossy swirl of pale cream peaking at the rim, the lid leaning beside it, a thin sheen of water catching warm light around the base. Keep the LUMY jar exactly identical to the uploaded reference — same matte terracotta ceramic body, slim matching lid and off-white 'LUMY / RADIANCE CREAM' label — at true small 50ml real-world scale (about 6-7cm tall), physically photographed during the shoot, never composited, never oversized. Shot on a 100mm macro lens at f/5.6, ultra-sharp on the cream texture and the label, dramatic warm side light raking across the clay ridges, deep terracotta shadows. Terracotta and cream palette, fine grain. Mood: sculptural, sensorial, luxurious. Aspect ratio 4:5.

A hero product macro: the open small [PRODUCT] with a swirl of [CONTENT], resting on rippled [BRAND COLOUR] clay with a thin sheen of water, warm dramatic side light, luxury cosmetics still-life.

Piscine terracotta

A warm summer editorial for LUMY at a minimalist luxury pool with glossy terracotta tiles and glowing amber water. A model with slicked-back wet dark hair and radiant sun-warmed skin rests at the tiled edge, holding the small LUMY jar naturally in one hand on the coping, soft confident gaze, bare shoulders above the water. Keep the LUMY jar exactly identical to the uploaded reference — same matte terracotta ceramic body, slim matching lid and off-white 'LUMY / RADIANCE CREAM' label — at true small 50ml real-world scale (about 6-7cm tall), physically photographed during the shoot, never composited, never oversized. Shot on a 35mm lens at f/2.8, sharp on the jar, shimmering water bokeh behind, warm low sun. Terracotta, amber and cream grade, fine grain. Mood: sun-drenched, sensual, high-end holiday. Aspect ratio 4:5.

A model at a minimalist luxury pool with warm [BRAND COLOUR] tiles and glowing water, holding the small [PRODUCT], radiant skin, warm [BRAND COLOUR] summer editorial campaign.

Soie & or

A top-down luxury flat-lay for LUMY on warm terracotta washed linen. The small LUMY jar with the lid ajar sits amid a fluid terracotta silk drape, a slim brushed-gold tray, dried terracotta-toned botanicals, a small clay dish and a single ribbon, arranged with editorial negative space. Keep the LUMY jar exactly identical to the uploaded reference — same matte terracotta ceramic body, slim matching lid and off-white 'LUMY / RADIANCE CREAM' label — at true small 50ml real-world scale (about 6-7cm tall), physically photographed during the shoot, never composited, never oversized. Shot straight down on a 50mm lens at f/5.6, crisp on the label, soft even warm daylight, gentle natural shadows. Terracotta, gold and cream palette, fine grain. Mood: curated, editorial, premium. Aspect ratio 4:5.

A top-down luxury flat-lay: the small [PRODUCT] with [BRAND COLOUR] silk, brushed-gold accents, dried botanicals and a small clay dish, on warm [BRAND COLOUR] linen, editorial minimal composition.

Hyper motion

SCENE CONTEXT
A 10-second vertical kinetic product spot for LUMY, a luxury terracotta radiance cream. No people, no location. A single terracotta and cream colour world, the jar levitating and rotating in every shot, roughly one second per shot, the backdrop changing on every cut inside the terracotta and cream palette.

ACTIVE REFERENCES
@image1 - the LUMY jar. A round matte terracotta ceramic cream jar with a slim flat matching terracotta lid and a rectangular off-white paper label reading LUMY in a refined serif with RADIANCE CREAM letter-spaced below. 100% matches the reference.

LOCATION MAP
Seamless studio colour fields only, no horizon line, no floor until the final beat. Each shot uses one backdrop from the terracotta and cream palette: smooth terracotta gradient, warm cream bokeh, crossing clay light bars, drifting soft haze, or a deep clay field.

FIRST FRAME / BLOCKING
Frame opens in extreme macro on the matte terracotta ceramic surface, its fine clay grain filling frame, a warm terracotta glow behind it.

FORMAT MODE
Timed multishot, eleven shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, macro-capable rendering.

CAMERA
0.0-0.8s - 12 degree FOV. Accelerating macro creep across the matte clay grain.
0.8s HARD CUT
0.8-1.6s - 18 degree FOV. Fast 90 degree orbit around the jar on a warm terracotta gradient at 20 km/h.
1.6s SMASH CUT
1.6-2.4s - 12 degree FOV. High-speed macro, a swirl of pale cream bursting outward past the lens.
2.4s HARD CUT
2.4-3.2s - 29 degree FOV. Push-in as a ribbon of cream coils around the levitating jar on cream bokeh.
3.2s WHIP CUT
3.2-4.0s - 18 degree FOV. Fast arc past the jar between crossing clay light bars.
4.0s WHIP CUT
4.0-4.8s - 12 degree FOV. Whip into extreme macro on the flat lid lifting and hovering above the jar.
4.8s SMASH CUT
4.8-5.4s - 107 degree FOV. Whip pan through drifting soft haze, the jar flashing past.
5.4s HARD CUT
5.4-6.2s - 12 degree FOV. Locked macro, the off-white label, LUMY and RADIANCE CREAM razor sharp.
6.2s SMASH CUT
6.2-7.0s - 18 degree FOV. Fast tilt across the jar, the LUMY wordmark filling frame.
7.0s MATCH CUT
7.0-7.8s - 29 degree FOV. The cream of the label matches into a cream light bar, camera arcing at 30 km/h across a deep clay void.
7.8s HARD CUT
7.8-10.0s - 47 degree FOV. The jar settles into its final position on a warm cream mirror reflective floor, camera pushing in steadily.

ACTION
Clay grain fills frame. The jar levitates and rotates. Cream bursts outward. A ribbon of cream coils around it. The lid lifts and hovers. The label fills frame. The jar lands on a cream mirror floor.

PHYSICS
The jar is roughly 200 grams of ceramic. The cream holds a soft peak and folds with real body. The lid has a small hard contact when it seats. Matte ceramic scatters light without specular.

LIGHTING
Hard specular key from camera-left at 4600K raking across the jar, a tight rim light on the right edge, warm clay practicals in the background. White balance fixed at 4600K. Atmospheric haze at 18%.

COLOR GRADE
60:30:10 - warm terracotta dominant, cream secondary, clay accent.

AUDIO
Non-diegetic kinetic design: sharp whooshes on each cut, a ceramic lid seating, a soft cream fold, a low clay tone, a low sub hit on the final landing.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, high-energy kinetic pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The jar design stays identical to @image1 in every shot: matte terracotta ceramic body, slim flat matching lid, and the off-white label with LUMY and RADIANCE CREAM legible. The set contains only seamless colour fields and the reflective floor. Every shot contains visible camera movement.

Spot TV

SCENE CONTEXT
A 10-second vertical commercial spot for LUMY, a luxury terracotta skincare cream. Late golden-hour light in a warm plaster interior opening onto a Mediterranean terrace. Fast editorial cutting, roughly one second per shot, the camera moving in every single shot.

ACTIVE REFERENCES
@image1 - the LUMY jar. A round matte terracotta ceramic cream jar with a slim flat matching terracotta lid and a rectangular off-white paper label on the front reading "LUMY" in a refined serif with "RADIANCE CREAM" letter-spaced below. 100% matches the reference.

LOCATION MAP
Warm terracotta plaster walls, a travertine ledge, a linen curtain drifting in the doorway, terracotta floor tiles, one dried branch in a clay vase. The set contains only the walls, the ledge, the curtain, the tiles and the branch.

FIRST FRAME / BLOCKING
Frame opens close on the travertine ledge as low sun rakes across it and a linen curtain drifts through frame.

FORMAT MODE
Timed multishot, eleven shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, clean spherical rendering.

CAMERA
0.0-1.6s - 63 degree FOV. Fast slide along the travertine ledge at 4 km/h, low sun raking across it, curtain drifting past the lens.
1.6s HARD CUT
1.6-2.4s - 29 degree FOV. Fast push-in as a hand lifts the LUMY jar off the ledge.
2.4s WHIP CUT
2.4-3.2s - 12 degree FOV. Orbiting macro across the matte terracotta ceramic surface.
3.2s HARD CUT
3.2-4.0s - 12 degree FOV. Locked macro, the flat lid twists off and lifts away revealing the cream.
4.0s SMASH CUT
4.0-4.8s - 12 degree FOV. High-speed macro, a fingertip draws a soft swirl through the cream surface.
4.8s WHIP CUT
4.8-5.4s - 107 degree FOV. Whip pan through a warm terracotta sun flare.
5.4s MATCH CUT
5.4-6.2s - 63 degree FOV. The terracotta of the jar matches into the terracotta floor tiles, camera arcing across them at 6 km/h.
6.2s HARD CUT
6.2-7.0s - 29 degree FOV. Handheld arc as she smooths the cream along her cheekbone, skin glowing in the low sun.
7.0s HARD CUT
7.0-7.8s - 18 degree FOV. Fast tilt up the jar face, the off-white label and the LUMY wordmark filling frame.
7.8s HARD CUT
7.8-8.6s - 29 degree FOV. Push-in as she sets the jar back on the travertine and the lid settles onto it.
8.6s HARD CUT
8.6-10.0s - 18 degree FOV. Steady push-in on the jar standing on the ledge, warm plaster and drifting curtain behind, sun flare crossing frame.

ACTION
Low sun rakes the travertine ledge and a linen curtain drifts through frame. A hand lifts the jar. The flat lid twists off and lifts away. A fingertip draws a swirl through the cream. The terracotta of the jar aligns with the floor tiles. She smooths the cream along her cheekbone. The label fills frame. She sets the jar back and the lid settles onto it.

PERFORMANCE
She moves slowly and deliberately, eyes following her own hand, a small settling pause after each gesture, natural relaxed breathing.

PHYSICS
The jar is a small 50 ml cosmetic jar, roughly 7 centimeters wide and 200 grams. It has real weight in the hand and lands on travertine with a small contact shadow and a soft ceramic click. The cream holds the swirl the fingertip draws. The linen curtain moves with real air resistance.

LIGHTING
Low golden late-afternoon sun from camera-right raking across the plaster and the ledge, warm bounce filling the shadow side, the drifting curtain breaking the light. White balance fixed at 5600K. Atmospheric haze at 15%.

COLOR GRADE
60:30:10 - warm cream plaster dominant, clay secondary, terracotta accent.

AUDIO
Diegetic only: a ceramic lid twisting and settling, linen shifting in a light breeze, a fingertip through cream, distant cicadas, quiet room tone.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, warm editorial pacing with high-energy cutting. Natural skin texture with visible pores and fine detail.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The jar stays identical to @image1 in every shot: round matte terracotta ceramic body, slim flat matching lid, rectangular off-white label with "LUMY" and "RADIANCE CREAM" spelled exactly and legible. The woman keeps the same face, hair and clothing across every cut. The set contains only the walls, the ledge, the curtain, the tiles and the branch. Every shot contains visible camera movement.

SCENE CONTEXT
A 10-second vertical commercial spot for [BRAND NAME], [PRODUCT CATEGORY]. [TIME OF DAY] in [LOCATION]. Fast editorial cutting, roughly one second per shot, the camera moving in every single shot.

ACTIVE REFERENCES
@image1 - [PRODUCT DESCRIPTION: shape, material, colour, label text, logo]. 100% matches the reference.

LOCATION MAP
[THE 3-4 ELEMENTS OF THE SET]. The set contains only [LIST THEM].

FIRST FRAME / BLOCKING
[WHAT THE FIRST FRAME SHOWS, and who is already in motion].

FORMAT MODE
Timed multishot, eleven shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, clean spherical rendering.

CAMERA
0.0-1.6s - 63 degree FOV. [OPENING MOVE] at [SPEED] km/h.
1.6s HARD CUT
1.6-2.4s - 12 degree FOV. [MACRO ON THE MATERIAL].
2.4s WHIP CUT
2.4-3.2s - 29 degree FOV. [THE HAND / THE GESTURE ON THE PRODUCT].
3.2s HARD CUT
3.2-4.0s - 12 degree FOV. [MACRO DETAIL 2].
4.0s SMASH CUT
4.0-4.8s - 12 degree FOV. [MACRO DETAIL 3 - the logo or the texture].
4.8s WHIP CUT
4.8-5.4s - 107 degree FOV. Whip pan through a [BRAND COLOUR] flare.
5.4s MATCH CUT
5.4-6.2s - 63 degree FOV. [THE BRAND MOTIF MATCHES INTO A REAL OBJECT IN THE SET], camera arcing at [SPEED] km/h.
6.2s HARD CUT
6.2-7.0s - 47 degree FOV. [LIFESTYLE BEAT].
7.0s HARD CUT
7.0-7.8s - 18 degree FOV. [FAST SLIDE ON THE PRODUCT].
7.8s HARD CUT
7.8-8.6s - 29 degree FOV. [SECOND GESTURE].
8.6s HARD CUT
8.6-10.0s - 18 degree FOV. Steady push-in on the hero product, [BACKGROUND] behind, sun flare crossing frame.

ACTION
[ONE SENTENCE PER BEAT, in order.]

PERFORMANCE
[HOW THE PERSON MOVES - weight, eyes, breathing, pauses.]

PHYSICS
The product is roughly [SIZE] and [WEIGHT]. [HOW IT MOVES, LANDS, DEFORMS.] [MATERIAL BEHAVIOUR.]

LIGHTING
[KEY LIGHT: direction, quality]. [FILL]. White balance fixed at [3200K/4000K/5600K/8500K]. Atmospheric haze at [X]%.

COLOR GRADE
60:30:10 - [DOMINANT] dominant, [SECONDARY] secondary, [BRAND COLOUR] accent.

AUDIO
Diegetic only: [3 TO 5 REAL SOUNDS FROM THE SCENE].

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, high-energy editorial pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The product stays identical to @image1 in every shot: [REPEAT THE KEY FEATURES AND THE EXACT TEXT]. [THE PEOPLE] keep the same faces, hair and clothing across every cut. The set contains only [THE ELEMENTS]. Every shot contains visible camera movement.

D'abord l'image fixe

Use the attached image as the exact product reference.

THIS IS A FRAME GRABBED FROM A PHONE VIDEO, not a photograph. Vertical phone video, the phone held out at arm's length in her own hand — one arm is reaching off toward the lens, so only ONE hand is free for the product.

A woman in her mid twenties, light brown hair scraped back with loose strands falling across her cheek, plain black rectangular glasses, a black V-neck top over a white lace-trimmed camisole, no makeup at all. She is mid-sentence, caught talking — mouth open on a word, eyebrows slightly raised, eyes locked on the lens. Not smiling, not posing.

SETTING — her own bathroom in the morning: beige wall tiles, a used towel hanging over the rail behind her, a pump bottle and an amber dropper bottle left standing on the shelf, the white edge of the doorframe cutting into the left of the frame. It looks real and lived-in, not styled for a shoot, with ordinary everyday things around her.

FRAMING — a real front-camera selfie: the head fills most of the frame with the wide-angle distortion of a selfie lens. The crop is imperfect, the top of the head lightly cut by the frame edge, her forearm intruding at the bottom corner. Slightly off-centre.

IMAGE QUALITY — raw front-camera video still: slightly soft, visible sensor noise, heavy phone HDR flattening the contrast, the bathroom window behind her blown out to white. No cinematic depth of field, no colour grading, no studio light.

SKIN — real and unretouched: shine on the forehead, the nose and the cheekbones, visible pores, freckles and uneven tone, stray flyaway hairs stuck across her face. No beauty filter, no smoothing.

THE PRODUCT — she holds the closed jar up at chest height in her one free hand, thumb resting on the lid, turning it so the label faces the lens. It keeps exactly the shape, the colours, the materials and every letter of the text of the reference image, at true real-world scale.

The image is the bare video frame itself: no interface, no icons, no counters, no buttons, no progress bar, no timecode, no captions, no watermark.

Use the attached image as the exact product reference.

THIS IS A FRAME GRABBED FROM A PHONE VIDEO, not a photograph. Vertical phone video, the phone held out at arm's length in their own hand — one arm is reaching off toward the lens, so only ONE hand is free for the product.

[THE PERSON: age, hair and how it is tied, glasses or not, plain unbranded clothing, and the fact that they are wearing no makeup]. They are mid-sentence, caught talking — mouth open on a word, eyebrows slightly raised, eyes locked on the lens. Not smiling, not posing.

SETTING — [THE ROOM WHERE THIS PRODUCT IS REALLY APPLIED] at [TIME OF DAY]: [THE WALLS], [THE FABRIC HANGING BEHIND THEM], [THE TWO OR THREE OTHER BOTTLES ALREADY THERE], [WHAT CUTS INTO THE EDGE OF THE FRAME]. It looks real and lived-in, not styled for a shoot, with ordinary everyday things around them.

FRAMING — a real front-camera selfie: the head fills most of the frame with the wide-angle distortion of a selfie lens. The crop is imperfect, the top of the head lightly cut by the frame edge, [WHAT INTRUDES AT THE BOTTOM CORNER] intruding at the bottom corner. Slightly off-centre.

IMAGE QUALITY — raw front-camera video still: slightly soft, visible sensor noise, heavy phone HDR flattening the contrast, [THE WINDOW OR LAMP THAT BURNS OUT] blown out to white. No cinematic depth of field, no colour grading, no studio light.

SKIN — real and unretouched: shine on the forehead, the nose and the cheekbones, visible pores, [THE MARKS THAT ARE REALLY THERE: freckles, redness, uneven tone], stray flyaway hairs stuck across the face. No beauty filter, no smoothing.

THE PRODUCT — [THE ONE GESTURE MADE WITH THE FREE HAND — a single movement, nothing else], turning it so the label faces the lens. It keeps exactly the shape, the colours, the materials and every letter of the text of the reference image, at true real-world scale.

The image is the bare video frame itself: no interface, no icons, no counters, no buttons, no progress bar, no timecode, no captions, no watermark.

Puis on l'anime

Continue this phone video from the exact frame shown. The phone stays held out at arm's length in her own hand the whole time, so only ONE hand is free for the jar. ONE SINGLE CONTINUOUS TAKE, no cuts, no scene changes.

She speaks ONLY these two lines, each said ONCE and never repeated:
Line 1, at the very start: "I have a whole shelf of creams that did nothing."
Line 2, at the very end: "This is the one I put on at night and my face stops feeling tight."
Between the two lines she says NOTHING at all — silent, only acting.

Beat 1 — already mid-sentence, delivering line 1 straight into the lens with a small eyebrow raise.
Beat 2 — SILENT: she turns the jar slowly in her free hand until the LUMY label catches the window light, thumb sliding along the ribbed edge of the lid. Eye contact kept, lips pressed together, no words.
Beat 3 — SILENT: she lifts the jar up beside her bare cheek, holds it there against her skin for a second and gives a small nod.
Beat 4 — leans back, shrugs one shoulder and delivers line 2 with a small closed-mouth smile.

Keep the raw look of the frame: the head stays large with selfie wide-angle distortion, the crop stays imperfect, the window stays blown out white, the image stays slightly soft with phone HDR flatness and sensor noise. Natural body sway throughout, never still. Real unretouched skin, shine and freckles still on it.

The product stays exactly as in the frame in every beat: the round terracotta jar, its matching screw lid, the smooth clay finish and the small cream label reading LUMY over RADIANCE CREAM, sharp and unchanged, never distorted, never resized and never losing its text.

Close-mic phone audio with the voice up front, the hard reverb of a tiled bathroom and a tap dripping somewhere, no music. Raw iPhone footage, TikTok storytime energy, no-filter realism. Vertical 9:16. NO SUBTITLES, NO TEXT OR EMOJIS ON SCREEN.

Continue this phone video from the exact frame shown. The phone stays held out at arm's length in their own hand the whole time, so only ONE hand is free for the product. ONE SINGLE CONTINUOUS TAKE, no cuts, no scene changes.

They speak ONLY these two lines, each said ONCE and never repeated:
Line 1, at the very start: "[THE OBJECTION THE VIEWER ALREADY HAS — what they already own and why it disappointed them]"
Line 2, at the very end: "[WHEN THEY APPLY IT AND WHAT STOPPED HAPPENING TO THEIR SKIN — a fact, never a slogan]"
Between the two lines they say NOTHING at all — silent, only acting.

Beat 1 — already mid-sentence, delivering line 1 straight into the lens with a small eyebrow raise.
Beat 2 — SILENT: [THE FIRST GESTURE — they turn the product in the free hand until the label catches the window light], thumb sliding along [THE TEXTURE OF THE CONTAINER]. Eye contact kept, lips pressed together, no words.
Beat 3 — SILENT: [THE SECOND GESTURE — they bring it to the part of the body it is made for, with the same single hand] and give a small nod.
Beat 4 — leans back, shrugs one shoulder and delivers line 2 with a small closed-mouth smile.

Keep the raw look of the frame: the head stays large with selfie wide-angle distortion, the crop stays imperfect, [THE WINDOW OR LAMP] stays blown out white, the image stays slightly soft with phone HDR flatness and sensor noise. Natural body sway throughout, never still. Real unretouched skin, [ITS REAL MARKS] still on it.

The product stays exactly as in the frame in every beat: [REPEAT ITS SHAPE, ITS CLOSURE, ITS FINISH AND EVERY LETTER OF ITS LABEL], sharp and unchanged, never distorted, never resized and never losing its text.

Close-mic phone audio with the voice up front, [THE ACOUSTICS AND THE ONE SMALL SOUND OF THAT ROOM], no music. Raw iPhone footage, TikTok storytime energy, no-filter realism. Vertical 9:16. NO SUBTITLES, NO TEXT OR EMOJIS ON SCREEN.